|
Rick Springfield was born Richard Lewis Springthorpe on August
23, 1949. He grew up in various locations, spending most of his
childhood in Melbourne, Australia. An army brat (his father was a
colonel in the Australian Army), Rick found that he was often the
new kid in town. His teen years landed him in England, just in
time for, as he recalls, "girls and music". Returning back to
Australia, Rick eventually dropped out of high school to pursue
his music. His first band, Rock House, landed a gig in Vietnam
during the height of the conflict there, and Rick found himself
dodging bombs and throwing granades. While the band didn't last
long, this lead him to the wildly popular Australian teen band,
Zoot. In Zoot, Rick honed his songwriting and performance tactics,
so much so that he was plucked out of the group to try his hand at
solo music.
By 1971, Rick had top hit in Australia, "Speak to the Sky".
Record companies in the US were courting him. It left Rick with
some difficult personal decisions: leave his homeland for the
unknown of the US? His father, with whom he credits his passion
for music, had recently suffered a debilitating stroke, and needed
a great deal of care. Though Rick hesitated to leave him, Rick
finally made the decision to try his luck in Hollywood.
Steve Binder and Robie Porter helped produce Rick's first US
album, "Beginnings", which included a re-recorded version of
"Speak to the Sky". Seeming success was quick quick for the newly
named Rick Springfield: "Speak to the Sky" landed in the US Top
Ten and "Beginnings" found it's way into the top twenty.
Unfortunately, most of Rick's press was coming from teen
magazines, who were selling him right along with David Cassidy and
Donny Osmond. The radio stations suspected foul play: a teen
sensation who had no real following. They refused to play the song
and it quickly dropped off the charts.
Binder and Porter were not deterred by this, though Rick calls
this time "a real heavy time." They signed Rick to a new deal at
Columbia Records, and soon Rick released his second stateside
album, "Comic Book Heroes". Recorded in London, this album tried
to fight the critics with serious songs such as "The Photograph".
Unfortunately, with most of his publicity again coming from the
teen mags, the album was never taken seriously by radio. Again
Rick was left without a record deal.
In 1974, Rick was asked to create music and star in an animated
series called "Mission Magic". Rick was excited about the idea of
showcasing his songs on a weekly TV show. The show aired on ABC's
Saturday mornning line up. While Rick still continued to record
and write serious music of his own (much of which ended up on the
never released "Springfield" LP of 1974), most of the music from
Mission Magic was neccesarily fluff. The show was cancelled after
the second season.
Personally for Rick, a bright spot during 1974 was his live in
relationship with Linda Blair ("The Exorcist"). Rick calls it his
first "grown up relationship," though at the time Linda Blair was
only fifteen. The relationship lasted a year, and both still
recall the time fondly. "He's someone I'll always love," said
Linda in VH-1's Behind the Music. Rick says that of all his former
girlfriends, Linda is the only one he remains friends with.
By 1975, Rick was in "the worst time of my life," he says. He
had no job and no prospects. He'd had two record deals that had
fallen through. He had records that released and did poorly, he
had records that never had been released. Despite fan letters that
asked to see his mansion in Hollywood, Rick was scraping by on
almost nothing. He felt like a failure. The depression that had
haunted him since fifteen reared it's head again and Rick had
thoughts of suicide.
Eventually, he dropped Binder and Porter and decided to strike
out on his own. He began acting classes to support his music
career. "Most guys were out there waiting tables while they waited
for acting jobs. I was acting while I was waiting for a music
job." He recorded his 1976 album, "Wait for Night" during this
time. While the album was strong musically, recorded with Elton
John's rhythm section of Nigel Olson and Dee Murray, the Chelsea
label it was recorded on folded soon after the album's release.
Rick spent the next few years earning acting paychecks and
writing tunes for the next album. He had a new management team
which included Tom Skeeter, and they were determined to land their
artist a deal. In 1980 he recorded "Working Class Dog" on a
shoestring budget, recording on off hours when the studio time was
cheaper. It was there that he met his future wife, Barbara Porter.
She was working as a receptionist there at the time, and later
people would jokingly ask her if she indeed was "Jessie's Girl."
"She had a lot of energy," recalls drummer Jack White of that
time.
Though his managers were negotiating a deal with RCA to release
"Working Class Dog," Rick auditioned for the soap opera, "General
Hospital." He was used to album deals folding, or records not
doing well, and the steady paycheck of the soap was enticing. He
signed to the soap as Dr. Noah Drake in early 1981, and RCA
released his album very shortly after.
Almost overnight, Rick's star shone brightly: his album was
being played on the radio, he was recognized from his work on TV,
and Rick was suddenly famous. Rick was ready. He'd waited for ten
years for this moment, and he was excited to see the faces turn
when he walked by. "It was so fast," he recalls, "Just a few
weeks." The soap opera made Rick's face recognizable to millions,
the radio made his music so.
"I've heard that sometimes, especially from others who have
experienced fame, that when what you want most is given to you,
inevitably something else is taken away," Rick said on TNN's "Life
and Times of Rick Springfield." Within a few months of fulfilling
his dreams of success, Rick's father took a turn for the worse and
passed away. For Rick, it was a cruel blow. He always felt that
his father was his champion, giving him the support he needed to
get through the tough times and stick to his goal of being a
successful musician. His father would be right there along with
him with every success and failure. The pain struck Rick deeply,
though he didn't have time to indulge in his grief; with only a
three day hiatus from General Hospital to fly to Australia for the
funeral, Rick threw himself into making his success last. Rick can
still be seen in interviews today, eighteen years later, getting
choked up and shedding tears when his father is brought up. "It
hits me where I live," he has said. "I still have a lot of pain
about it." The musical thread his father gave him continues to be
seen in his music...references to his father can be found on every
album he made after his father's death.
Rick recorded his next album, "Success Hasn't Spoiled Me Yet"
during his off hours on General Hospital and toured in the same
way. "I have never seen anyone work that hard," recalled drummer J
|